I am scared of the historical repercussions that might reawaken. I am scared of becoming estranged from my kin again. I am scared of how others will read my work, because my story is unusual and has not been told before. The more complex my characters became, the more irreducible the story became, the more fearful I became. I thought I would feel less fearful as the drafts progressed, but the opposite has been true. Some of the most beautiful writing has gone into the place between.” I would caution against this idea of thinking you’re bound to binaries.

And that’s going to offset all of the damage that was done…. “I was thinking a little bit about this sort of binary, like a rubber-band-snapping-back kind of mode of talking about human beings … we are conscious of the history of representations of this particular group that are cartoonishly evil, so we are going to fix that by having a cartoonishly virtuous character. El Akkad admitted that even though it was problematic, it was still a welcome change from the portrayal of Muslims as villains. The way she prayed looked more like yoga instead of prayer. You’re trying to do something different…”Įl Akkad discussed the representation of a Muslim woman on a true crime show: her hijab was sliding off and that became a plot point they had to navigate. “When you’re writing this kind of fiction,” he says, “you’re essentially trying to draw a map that is in some way fundamentally different from the prevailing map of the literary world. (El Akkad says that in his place of birth, Cairo, resistance fiction could mean jailtime or having your life threatened.)ĥ) It cannot “hide behind language” and requires a clarity of meaning. It led me to understand the meaning of fear and loneliness, which continue to plague me as I work through yet another draft of my novel.Įl Akkad says that “resistance fiction,” which stands in opposition to injustice, faces several challenges:ġ) It has a harder time getting published because there are few precedents on which a publisher can base their sales estimates.Ģ) It also faces challenges in terms of how its read because there are no existing templates for that kind of book.ģ) It might take years, decades, centuries for it to be understood in a way that is not at odds with how it was intended.Ĥ) It has greater consequences. In this free talk organized by the FOLD in mid-January, I was grateful to learn about “resistance fiction” from the author of American War. “Style and Form in Resistance-Themed Fiction with Omar El Akkad” was one such Zoom. Other times, there are Zooms that can return you exactly where you need to be. Last week it took me five days to recover from the nausea, headaches, and light sensitivity caused by one single day of back-to-back virtual meetings. Sometimes there are Zoom meetings that can break you.

Omar el akkad